A special thank you to NetGalley and Open Road Integrated Media for an ARC in exchange for an honest review.
For those of you who read my reviews, you know how much I love Alice Hoffman's words. Hoffman could teach a master class. You know those online seminars that you see advertised on social media sites? Well, Alice Hoffman should lead one.
Teresa's mother, Dina, fills her head with bedtime stories of an Aria—a dark-eyed fearless hero on a white horse who would come and rescue her. Aria's are rule breakers and so is her brother, Silver, who Teresa comes to believe is one of these fabled men. Instead of a fairytale, Teresa and Silver's relationship is dark and dysfunctional, not unlike her mother's relationship with her father, King Connors. The women in this story are swayed by myth and folklore instead of realizing that they can rescue themselves and be their own hero. It doesn't help that women can't seem to resist Silver, this only fuels Teresa's belief of him being an Aria.
This story may not sit well with all readers due to the incestuous relationship that is the underlying current of the novel. There is so much more going on here, Hoffman explores when when fantasy collides with reality and its repercussions. Teresa must change who she loves and rewrite her story into something real and not forbidden and taboo before she loses herself in myth and fantasy.
A special thank you to NetGalley and Harlequin Canada for an ARC in exchange for an honest review.
Clara Solberg and her husband Nick seem to have it all—a great marriage, two healthy children, and a successful dental practice. That is until Nick and the couple's four-year-old daughter, Maisie, are in a car accident that claims Nick's life. Clara is only a few days postpartum and her emotions are running the gamut from shock, grief, confusion, disbelief, and now paranoia that is fuelled by Maisie's night terrors of "the bad man".
Although the crash is ruled an accident, that Nick was speeding and lost control, Clara can't stop obsessing that Nick was run off the road. It is here where Kubica turns truths into lies, and secrets start to take flight. She is a master at this genre.
Told in alternating perspectives of Clara in the present day, and Nick leading up to the accident, Every Last Lie accelerates in pace and suspense, but ultimately stalls out at the end. Unfortunately with this ending, Kubica negates all of the suspense and build up she so masterfully weaves throughout. That being said, I would still recommend the book and any of her other works.
A special thank you to Edelweiss, NetGalley, Grove Atlantic, and Atlantic Monthly Press for an ARC in exchange for an honest review.
Lizzie Borden took an axe
And gave her mother forty whacks
When she saw what she had done,
She gave her father forty-one
Or did she?
I'm not going to lie, I kept putting this one down. The opening chapter narrated by Lizzie was well-written with a nice hook, and then the second chapter narrated by her sister Emma threw me off. However, I limped through it, and then a few more chapters here and there, and then I couldn't put it down. This book was well-written and captivating, especially for a debut, and I would definitely recommend it.
In See What I Have Done, Schmidt takes on the daunting genre of historical fiction with her account of one of the most famous murder cases of all time with. Lizzie Borden's father and step-mother are found bludgeoned to death at the Borden residence. Told from multiple perspectives, the reader goes inside the mind of the unreliable Lizzie, her older sister Emma, the Irish maid Bridget, and a mysterious stranger Benjamin who has ties to the family. This multiperspectivity works brilliantly and while I enjoyed Lizzie's chapters the most, the other perspectives were needed to balance out the story.
Schmidt juxtaposes the visual imagery of sickness—blood, vomit, rotting food—against the relationships of the family. This is more than fiction, it is a foray into the human psyche and a study of the most intimate kind of relationships.
A special thank you to NetGalley and Penguin Random House Canada for an ARC in exchange for an honest review.
Dubbed a psychological thriller, Barton's newest work takes us to a London construction site where the skeletal remains of a baby are found. Kate Waters, a local reporter, decides to pursue the story of The 'Building Site Baby'. As she investigates, she discovers connections to a decade-old kidnapping of a newborn baby from the maternity ward of a local hospital—the baby girl was never found. Waters is drawn into the past of the people who once lived in the neighbourhood. Told from multiple points of view, truths are revealed, and Kate must decide which secrets to keep and which to tell.
Without spoiling anything, there is a fantastic plot twist that is brilliantly executed. A slow burn, but worth your patience.
A special thank you to NetGalley and Random House for an ARC in exchange for an honest review.
In the same vein as A Man Called Ove, Berg's latest novel doesn't disappoint. This delightful, easy read is about three people whose lives intersect because of loss. Arthur is a widow that visits his dead wife's grave every day to have lunch with her; it is here that he meets Maddy, a teenager who hides out in the cemetery to avoid high school. Although they are an odd pairing, Berg's character development brings their relationships with loss and loneliness to an end and in its place, creates a beautiful friendship. Lucille is Arthur's neighbour. She is incredibly forward and the epitome of a nosy neighbour, but totally endearing. Fresh from a loss of her own, she becomes part of their makeshift family.
My only criticism is that I wanted more from the relationships. I wanted more Nola and Arthur, and more of Maddy and her father. If Berg had fleshed out these relationships, the story wouldn't be so saccharin-sweet.
A special thank you to Edelweiss and Knopf Publishing Group for an ARC in exchange for an honest review.
Two sisters, 21-year-old Nora and 17-year-old Theresa Flynn, leave their small village in Ireland and embark on a journey that will bring them to America.
Nora is the more responsible of the two; she is practical and shy and accepts the proposal of a man she isn't entirely sure she is in love with. Theresa is a free sprit that is easily charmed with her new life in Boston which includes dresses and dance halls. When Theresa ends up pregnant, it is Nora that comes up with a plan that ultimately changes the course of their lives.
Fifty years pass—Nora has four grown children: John, a successful political consultant; Bridget, in a relationship and preparing for a baby; Brian, a former baseball player who has moved back in with Nora; and Patrick, Nora's favourite child, who is responsible for causing much heartache to those around him. Estranged from Nora, Theresa lives in Vermont in a secluded abbey and is a practicing nun.
After decades of not speaking, a death in the family forces the sisters to confront the choices they have made and each other. This is a beautiful, sweeping novel about relationships, family, secrets, and sacrifice.
A special thank you to Edelweiss and Simon & Schuster for an ARC in exchange for an honest review.
A special thank you to NetGalley and Redhood Books for an ARC in exchange for an honest review.
Lily was abducted when she was sixteen and has been held captive for eight years in a cabin basement. During this time, she has given birth to a daughter. One fateful night, Lily realizes that he has forgotten to lock the door, or is this another test? Lily wakes her daughter and flees into the night. Overton's story is what happens next.
The book has no real surprises or plot twists; there is nothing shocking, are no revelations, and the writing is average at best. She could have done much more with the characters—especially Lily given that she was held captive for so long and experienced horrific abuse and neglect. She would need intense therapy to overcome the incredible trauma endured, but that is not the angle that Overton took with Lily's story, even though it mostly takes place after she returns home.
The opening few chapters are the best in the book. There was definitely a hook, and my criticisms aside, there's some good writing in these beginning chapters.
Please stop trying to hook people by mentioning Gone Girl and Girl on the Train when marketing your book. If anything, this is closer to Room, but again, you should just not do these comparisons when a book is sub par to all of the books mentioned in this paragraph.
A special thank you to NetGalley and Penguin Random House Canada for an ARC in exchange for an honest review.
Eleanor Oliphant leads a simple, mundane life, and operates on the same routine every day—she wears the same clothes to work, eats the same meal for lunch from the same location, makes the same dinners, and every weekend buys the same kind of pizza with the same kind of wine, and two bottles of vodka to get her through the weekend. She is incredibly isolated and lonely with no benchmark of how life should be. From a random act of kindness Eleanor realizes exactly what she's been missing and how much better life can be.
The description of Honeyman's debut made it sound like a Bridget Jones type novel. Eleanor is a 30 year-old singleton, living in the city, who drinks a lot, but that is where the comparison ends. In fact, I actually thought that Eleanor may be on the Autism spectrum because of her routines, the difficulty she has in social settings, and her formal speech. However, her behaviour stems from suffering a childhood trauma, and also not having any family or friends to help guide her in social situations—she has been alone for so long that she has no point of reference with things like pop culture, and relationships in general. She is also victim of mental abuse every Wednesday when she talks to her 'Mummy' on the phone.
The novel unfolds through Eleanor and at times she is an unreliable narrator that serves the story perfectly. Incredibly sad at times, this exploration of the human spirit was a bright debut and I highly recommend it.
A special thank you to NetGalley and Penguin Random House for an ARC in exchange for an honest review.
This book was a recommendation from NetGalley. To be honest, this is not a genre I typically read so I was simply going to delete the email and move on, but after reading a glowing endorsement by Ami McKay (author of The Birth House, The Virgin Cure, and The Witches of New York), I decided to give it a chance. I was caught by surprise, Connelly's writing is really good—she captures the psyche of a middle-aged mother/wife/woman so well against a really cool setting (for those of us who are lucky enough to be based in and around Toronto).
Erotic. Truthful. Clever. Connelly begs the question: does anyone really have it all?
A special thank you to NetGalley and Watkins Publishing for an ARC in exchange for an honest review.
The previous three books in the series were so well done. I had the pleasure of listening to the audiobooks, and I got a lot out of them. I encourage you to pick them up or give them a listen. Unfortunately, I can't say the same for this book. Maybe it's just me, or perhaps I'm just not on the same page (pardon the pun) spiritually as this book, but I simply just didn't "get" it and it didn't resonate the same way as the others did.
What I did like was the question and answer section, there was value there, it was well executed, and tied the books nicely together. There were some interesting and thought-provoking sections, but there was a lot that was just lost on me, and I felt like it was out just of my reach.
A special thank you to NetGalley, Penguin Random House, and Knopf Canada for an ARC in exchange for an honest review.
Set in 1970s Washington, D.C., and spanning a school day, New Boy explores jealousy, love, friendship, and racism.
Osei Kokote, a diplomat's son, is staring at his fourth school in six years. The attention given to his colour is surpassed only by the attention that his relationship with the most popular girl at the all-white school garners. This is where the trouble really begins. Not everyone is as intrigued and impressed with O as Dee is, and one boy in particular makes it his mission to destroy the relationship. By the end of the day, the school and its students will be left reeling, and will never be the same.
I've been enamoured with Chevalier's work since Girl With a Pearl Earring and have been waiting for her to deliver something just as captivating and she does just this with New Boy. Chevalier doesn't shy away from the huge undertaking/responsibility of retelling Shakespeare's Othello—her compact version delivers a sucker punch and I encourage you to pick it up.
A special thank you to NetGalley and Nowness Books for an ARC in exchange for an honest review.
I wasn't sure what to expect given the premise for this book. Lauren "Ren" Miller has died at the age of seventeen, yet her consciousness lives on by inhabiting a bench that was purchased by her father in her memory. The bench faces the River Thames in London and is situated beside Lionel, a father-figure of sorts, who encourages Ren to break through and talk to the living in order to reveal the truth about her harrowing end.
Hazell definitely takes a different vantage point for a narrator, but is a risk that doesn't quite pay off in my opinion. Although unique in concept, it is the story itself that feels constrained by the bench, the choppy flashbacks, and by the main character herself. Her relationship with Gabriel sounds incredibly needy and I honestly feel that this is a disservice to young girls when the protagonist's happiness seems to hinge on a boy.
After reading Paris' debut Behind Closed Doors, I couldn't wait to get my hands on The Breakdown. A special thank you to NetGalley and St. Martin's Press for an ARC in exchange for an honest review.
Driving home in the rain, Cass decides to take a shortcut through the woods against her husband Matthew's wishes that she stick to the main roads. She is surprised to see another car on the road in such poor weather. She pulls in front of the car, but is too scared to get out thinking this may be a trap set to entice her out of her own vehicle. When the female driver does not approach, Cass figures help is on the way and drives off.
The next day, Cass hears on the news that the driver she passed was murdered. She is incredibly distraught and guilt-ridden thinking she could've done something. The guilt begins to eat away at her, especially after she learns the identity of the woman, and she was someone that Cass recently met. Her emotional state is smothering. On top of this, she is growing increasingly paranoid and forgetful—she is certain that she is suffering from early onset dementia, the same condition that her mother had—and therefore is not credible. She is convinced the murderer knows her identity and is responsible for the silent phone calls she has been receiving. But with her family history of dementia, and her mental state, who is going to believe her?
Paris brings nothing new to the realm of the suspense/thriller genre, in fact, there was nothing really that was overly shocking by way of plot twists, and Cass' inner dialogue was often repetitive. So why read this book? It is a page-turner and hooks you plain and simple. The novel is perfectly timed and flawlessly executed. Given the main character's paranoia and hysteria, the denouement could have been obvious and trite, but it wasn't because of the way she developed her unreliable narrator—this was the perfect angle from which to tell the story.
A special thank you to NetGalley and Penguin Random House Canada and Doubleday Canada for an ARC in exchange for an honest review.
Being a Canadian, I always like to read and review Canadian authors. I read Cameron's The Bear for a book club selection, I didn't love it, but I was eager to give her another chance.
An interesting premise—Cameron juxtaposes the last Neanderthal family against a parallel modern-day storyline. Initially I was unsure, Neanderthals? After finishing The Last Neanderthal, I'm glad that I requested something that normally I wouldn't be attracted to.
40,000 years in the past, the last Neanderthals are fighting for survival after a hard-fought winter. Their numbers are low, but Girl is coming of age and her family are determined to make the trek to the annual meeting place in hopes of securing her a mate to carry on their species. The small family's existence is further threatened by the elements and nature and Girl is left to care for Runt, a small foundling of unknown descent. Once again, Girl and Runt must face the winter and risk their survival.
In modern-day France, we meet archaeologist Rosamund Gale who has just learned that she is pregnant and worried about the repercussions of having a baby. The site that Rose is working at contains the remains of a female Neanderthal that appears to be embracing a Homo Sapiens male—were they lovers? This startling discovery has scientists reevaluating what they believed were our origins. With a race against impending motherhood, Rose does not want to give up her work after making incredible strides in a male-dominated field of study. She often has to defend her position simply because she is a woman. Rose begins to feel an incredible amount of pressure as the project in jeopardy of losing funding, and she has just learned that she is the sole bread winner after her partner Simon loses his teaching position.
Rose and Girl are linked through time by their pregnancies and experiences of what it means to be a woman, a mother, and to survive.
Primal, raw, and unique, this was an interesting read.
A special thank you to Edelweiss and Harper for an ARC in exchange for an honest review.
Thrity Umrigar is a beautiful writer who capitalizes on human emotion in her latest novel about two families that couldn't be more different.
During a terrible heatwave in 1991, ten-year-old Anton has been locked in his mother's apartment in the projects. After being by himself for seven days without any air-conditioning, or fan, with the windows nailed shut, and no electricity, Anton breaks a window and climbs out. He is bleeding from a wound in his leg when the police find him. All-the-while, his mother, Juanita is discovered unconscious and half-naked in a crack house less than three blocks away. When she comes to, she immediately asks for her "baby boy" insisting she only left for a quick hit, but that her drug dealer kept her high while repeatedly raping her. Anton is placed with child services when his mother is sent to jail.
David Coleman is the son of a US senator and a white Harvard-educated judge. After the death of his only high-school-aged son, Coleman is desperate for a home with a child again. David and his wife, Delores, foster Anton and quickly grow attached to the bright boy. Despite Anton's mother's existence, Coleman uses his power, connections, and white privilege to keep his foster son.
Anton follows in his adoptive father's footsteps and seems to have a knack for politics that is complimented by his charm. On the cusp of greatness, Anton learns the truth about his mother and the lengths Coleman went to to keep him as his very own. He begins to question who he really is—he is nobody's son, yet everybody's son.
Umrigar explores class, race, power, privilege, and morals in this emotional heart-wrenching story that will stay with the reader long after it is finished.